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When one storyline ends there are several other story threads at differing stages of development. Soap operas rarely bring all the current storylines to a conclusion at the same time. Especially in daytime serials and those that are screened each weekday, there is some rotation of both storyline and actors so any given storyline or actor will appear in some but usually not all of a week's worth of episodes. Each episode may feature some of the show's current storylines but not always all of them. An individual episode of a soap opera will generally switch between several different concurrent narrative threads that may at times interconnect and affect one another or may run entirely independent of each other. Soap opera storylines run concurrently, intersect and lead into further developments. Each episode ends with a promise that the storyline is to be continued in another episode'. One of the defining features that makes a television program a soap opera, according to Albert Moran, is 'that form of television that works with a continuous open narrative. The first national radio soap opera was Clara, Lu and Em, which aired on the NBC Blue Network at 10:30 pm on Tuesday, January 27, 1931.Ī crucial element that defines soap opera is the open-ended nature of the narrative, with stories spanning several episodes. Early radio series such as Painted Dreams were broadcast in weekday daytime slots, usually five days a week, when most listeners would be housewives thus the shows were aimed at and consumed by a predominantly female audience. The first serial considered to be a 'soap opera' was Painted Dreams, which debuted Octoon Chicago's WGN. 4.1.3 Traditional grammar of daytime serials.

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